It would still be a plausible development believe it or not, women have been finding inner strength and independence without getting raped for a long time. That being said, part of me wishes she could have had this growth and newfound independence without having to be raped. Sansa's character development is still brought to you by rapeĪll this development for Sansa is great, and most definitely a conscious correction after the outcry over her treatment last season. Instead she lets him know, in no uncertain terms, that their alliance is over: "I don't need you anymore. "Did he leave the toilet seat up? Did he forget to DVR the Billboard Music Awards?" Why Sansa didn't have Brienne kill Littlefinger in return for his negligence is a mystery to me those knights of the Eyrie would probably show up either way. The formal brothel owner suddenly got very delicate with words - "Did he beat you? Did he cut you?" he guessed, knowing full well what she was getting at. "If you didn't know, you're an idiot if you did know, you're my enemy." ( +10) She did just about everything she could to make Littlefinger verbally acknowledge that she had been raped, to make him at least intellectually confront what happened to her. First, I want to acknowledge how nice it was to see Sansa Stark just excoriate Petyr Baelish, who hadn't seen her since selling her off as a goth bride for Ramsay Bolton (thankfully absent this week). I'll get to Hodor and the titular Door later. So much could be possible! What if the Known World is a parallel universe to our own? What if it's in our far future? What if it's 150,000 years in the past? What if they actually find Kobol? What if it ends with a robot montage? The reveal of Hodor's big secret traverses time and space, and instantly threw Game of Thrones into the realm of the metaphysical. In the Game of Game of Thrones, everyone is what they are, and where they are, for a reason.
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